incl. exklusive remixe von k�nstler wie ryan crosson von visionquest, gavin herlihy, matt tolfrey & sam russo. originaltracks von dop & masomenos, alex celler, my favorite robot, ultrasone

hot hot hot 4 cd compilation with mixes by coone, evil activities, activator and defquon

hed kande pres. serve chilled! electronic summer - a selection of electronic blissed out beats for hazy,lazy listening!2 cds starring julio bashmore, ben westbeech,bonobo, kraak & smaak,pete gooding,joakim and more

for a short period in 1981 and with brand-new equipment such as roland 808, sh 101, gr 500, we made some 8-track just for fun jam tapes. mainly just to experiment for our own pleasure. from those sessions, only white horse made it to a final treatment. the rest of the material was left behind, as our record company at the time found it too different. after white horse being a track indeed defining our sound, we thought it would be interesting to dig out left-overs to fulfill a documentation of that period - crucial for us at the time. we were still innocent newcomers, without actually knowing to be creating a new sound! recently, that left-over material was transferred from analogue to digital and, to stay as true as possible to original intentions, we only added vocals, bass and drumbeats ahead of a final mix. we hope that you will enjoy listening to it. good vibes from laid back copenhagen 2012.

the bands founding members - thorben seiero jensen and sune solund have made it again! - >let this be the last night we care< is the copenhagen outfits third lp to date!

following on from the debut artist album from marco bailey and the second album from guy j which have both been well received internationally amongst press and public alike as well as huge compilation releases from label owner john digweed himself in the form of the structures and bedrock 12 releases. following on from the second instalment of the structures series bedrock proudly present the debut artist album from rising star stelios vassiloudis titled -it is what it is-. a fantastic double cd release showcasing forward thinking music and once again showing why bedrock is one of the leading labels in the electronic scene. in addition to the many original pieces of work on this album, stelios has also teamed up with a vast array of talented vocalists and song writers. -the z- is a collaboration between himself and sasse who owns and releases music on his esteemed mood music label. based in berlin sasse has a long history of successful releases and support from some of the biggest names in the scene. john dalagelisinvolvement with the project (he co-engineered and co-produced the continuous mixes) resulted in him contributing his songwriting and studio finesse to -sunrise on the avenue-. john runs the very hip dieb audio imprint and has released music on a wide variety of labels over the years. the album is rich with the many vocal talents it hosts with notable contributions from the likes of astrid suryanto, tomomi ukomori, anna maria x and darren murray. astrid has an established history of working with some of the greatest names in electronic music such as todd terry, king britt, dj yellow and morgan page as well as a plethora of great labels like nervous, plastic city and armada amongst many others. based in japan, tomomi ukomori has also worked on stellar releases with key labels in that territory like avex, apt international and green parrot recordings working with the likes of mathias kaden, hernan cattaneo, omb and hideo kobyashi. anna maria x is a name synonymous with the music scene in greece whether it be as a dj or a producer/singer. anna has been one of the main names in the electronic scene being involved in clubs, radio and of course a whole host of releases with her studio partner, gpal.

2011 release from the french singer / songwriter. skyline is yann tiersen s seventh studio album, and sees tiersen taking a confident step forward, cementing the sound of its darker sister, the critically acclaimed dust lane, which was released almost exactly 12 months previously. says tiersen, -strangely while skyline musically comes across as lighter and happier than dust lane the subject matter is somewhat darker - there is certainly a sense of moving on and what thoughts are left having dealt with loss-.

die defqon 1 ist mittlerweile eins der angesagttesten hardstyle events europas und das zu recht. die location der defqon 1 ist einfach ein traum, denn sie findet jedes jahr direkt am almere strand in den niederlanden statt. natuerlich gibt es bei der defqon 1 wie auch bei fast allen anderen gro§en dance events eine compilation dazu.

decibel outdoor is one of the biggest dutch outdoor festival in harder styles with over 45.000 party people. all styles within the harderstyles galaxy are represented (oldschool, hardstyle, hardcore, raw hardstyle, etc.) on different stages. the three cds of decibel outdoor 2011 will be mixed by the headliners of the festival: 1. psyko punkz for the hardstyle disc, 2. ruthless will deliver a freestyle mix of belgium beats, oldschool and (happy hardcore), and last but not least: 3. endymion is asked to do mix the full hardcore disc. a great souvenir for the ones who visited the festival or all other lovers of harderstyles. don t miss out!

2011 album from the anticon founder and instrumental rap innovator. fever dream is alias s most inspired and dynamic record in years. spurred by the psychedelic sound and off-kilter groove of electronic experimentalists like flying lotus, modeselektor and bibio, he ditches quantized beats, embraces warmth and sets the whole thing wobbling to a warped dance pulse. incorporating generous amounts of chopped, pitch-bent r&b vocals, plus sprinklings of live instrumentation and loads of left turns, fever dream is a stylistic whirlwind of hallucinatory house, homespun big beat, swinging downtempo and melodic break music.

soaring by the bank of la seine, we soak in tipsy chanson and say goodbye to the bleakly cold. la chanteuse de jazz presents you luscious melodies to welcome the coming romantic season. the album first brings you josâ phine bakers j ai deux amours rendered by ranee lee, the winner of juno awards in 2010, with elegant piano to build up the atmosphere of left bank. then, annie royer, the charming bilingual vocalist, with her beautiful voice that brings on images, performs dith piafs hymne l amour and padam. after that, chrstine albert from new york brings you charles trenet s la mer with her cute tone. lavalse des lilas composed by michel legrand, the composer of the umbrellas of cherbourg is rendered by carol welsman, the smooth jazz queen of canada. caroline daly presented c est magnifique, the song composed for can-can by the american composer, cole porter. of course, last but not least, isabelle antena, the popular bossa nova queen in france, gives you her unique version of la pecheresse a la ligne, nous dormirons esemble and melodie to put on a little romance for this spring!

gits album -imagination- could be described as an experimental design with roots in underground hip hop. gits musical style may be hard to pin point. his love of drums set the foundation for his sound: driving, percussion heavy productions anchored in traditional hip hop, with an experimental streak. his sound has many flavours and is not to be boxed in one label. one of the goals of this album is to fill the void that pop music has left. -imagination- will remind us that talent and emotion can still be found in music today and one not always needs a million dollar budget to make good music. if you like music that is raw, pure and speaks from the heart then you will love this project.

2011 release, the follow up to 2010s successful first volume of bangs & works. the carefully curated compilation showcases chicago footwork, one of the most forward-looking, innovative new styles of electronic music on the planet. footwork is beginning to spread outside of chicago, influencing productions around the world. bangs & works vol. 2 brings the focus back onto chicagos own producers, showing where the real innovation still lies. while its predecessor sticks mainly to the more hallucinatory and left-field elements, this one has a wider remit, ranging from mad techno-style tracks to those that sound like musique concrete gone footwork.

otdxi is the newest installment in the classic r&s compilation series. previous installments have been responsible for rounding up the labels roster at the time and presenting their finest tracks to a wider audience, and have gone onto become classics in their own rights. with r&s again re-positioned as one of the most forward thinking electronic labels and with an enviable roster of cutting edge young talent it makes perfect sense to relaunch the series. disc one contains highlights from the last 18 months and includes contributions from blawan, lone and untold whose classic r&s influences are worn on their sleeves. tracks from james blake, pariah and the chain take cues from a distinctly uk sound, which the label has been keenly following from its new london base, and in cmyk have the biggest single from 2010.

tiga and zombie nation have joined forces to create the most potent dance record of the year. apocalyptic tension. panic-fueled fundowns. 2012 is approaching. the heat is now - partys over earth! having both rocked remarkably long and prolific careers, the members of zzt possess uncanny staying power in an industry where hype ends faster than it begins. zombie nations production credentials are impeccable, and his reputation as a live performer has made him a permanent fixture on europes main stages.

the future of dance music is happening now. the next generation of edm producers is stepping up, with w&w bearing the flag of todays promise. no need to wait much longer. after merely 4 years of warming up, the duo sets things alight with the long-awaited debut album impact. though theres plenty of challenges left on their to-do list, dutch producers willem van hanegem and ward van der harst no longer play the game of rookies.

with over 10 years worth of experience and a number of releases on labels such as emi, p-vine, and freestyle, uk funk & soul titans the baker brothers land at record kicks with their seventh, and latest musical opus -time to testify-. in the new album the baker brothers pick things up where top singles -once i had a friend- and -patience- left off. the result is -time to testify-, a brand new album that sees the baker brothers hitting their stride as they mix elements of modern soul, jazz, funk and everything in between.

for over a decade mark grusane & mike cole have been a vast music resource for djs, producers, collectors, rare music compilers, and specialty stores around the world. they started individually, each with their love of music. they traded and sold music with those -in the know- for years. in 2004 mark & mike focused their energies into founding mr. peabody records. the business plan and mission was to become a world class resource for all genres of obscure music. until now, their focus has been growing the shop. but the soul of mr. peabody records does not reside in the bricks and mortar the store, or even in the bins of records themselves. the real genius lies in mark & mikes unique ear for music.

>only our hearts to lose< is a nice, shining character between the club and the balcon written and produced by marek hemmann

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.

introducing the raudive alias, he created a reduced, sexy, dancefloor-centered wave of greatness for labels from drumcode to cocoon. this sound turned out to be highly attractive for the djs to play and for the girls and boys to dance to. the unparalleled appeal of his beats left the usual minimal competitors sounding rather dull. thus raudive quickly became the blueprint of techno modernism and one of todays most influential genre-bending production styles. macro unleashes the highly anticipated debut album - chamber music. chamber music is both: claustrophobic in sound design, reminiscent of the dark and sweaty concrete club spaces this music inhabits, as well as carrying acoustic qualities of induced instrumental experimentalism. bitches brew voodoo reeds, new york no wave voices and european avant strings spin a mesmerizing dark patina around the ultra-sexy year-3000-rhythms. no wonder theres huge dj support all accross the board - from miss kittin to richie hawtin, surgeon to trevor jackson, ricardo villalobos to jeff mills. massive deep edge and one of 2010 finest albums so far!

mark mcguire operates chiefly as guitarist in the legendary emeralds. however he also has racked up an impressive set of solo releases over the last few years (albeit mainly in small to micro print runs). living with yourself is his new album and we at editions mego hope to meet any demand which may arise from this fine selection of modern crafted guitar tunes. focusing on his family, early friendships and the problems that inevitably develop through years of knowing someone, it takes mcguires sound even further out, and contains some his most accomplished songs to date. the opening track is fine example of mcguires magic technique of taking a lone acoustic guitar then transforming the track into bliss-out electro wash looping off into the distance. and tracks like clouds rolling in and brain storm take off where such mcguire classics as the marfa lights (which incidentally is planned for a future reissue) left off. while connoisseurs of his sound will find all they desire in here, many superb surprises await around every corner. these are songs that cruise, bubble and rise to the top.

classic, back in stock

at its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the cadenza sound. but mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole.

the best summer tunes 2009!armada at ibiza incl. presslaboys, mat zo, paul webster, mike foyle and many more

stefan goldmann delivers a ground breaking edit of a classic: a minimalistic cut up on the edges of perception celebrates one of the most thrilling works in music - igor stravinskys le sacre du printemps! staying 100percent true to the original score, he moves through over a dozen classic recordings of the work in 146 individually treated segments. nothing has been left out, nothing has been added.

incl. dem riesen erfolg >twice<! the debut album from 2007 in its latest edition - clear tray jewel case with 8-page booklet & lyrics printed inside out on special heavy paper

exile began his musical career in 2000, releasing drum & bass on labels such as beta and moving shadow, but as the years progressed, his sound started to become more complicated and abstract. this was mostly due to his obsession with the reaktor software, which enabled him to spend much of his time creating new and interesting sounds from scratch. his debut full-length, 2006s pro agonist, saw him add elements of breakcore to his constantly mutating yper-breakbeats, but that gradual change in style is nothing compared to the total departure that hes taken on listening tree. long-term fans may be shocked to know that listening tree is peppered with exiles own vocal tracks, as he tackles issues such as britains buy-now-pay-later culture, and even the dynamic nature of the universe on family galaxy, the first single. >family galaxy< is about the constant process of change that underpins everything, explains exile. its a tale from a thingless world where nothing stays the same. as now shines its shifting shades on then, so our ideas of what we have done and will do continually morph.the result is an eccentric electro-pop album that is just as likely to appeal to fans of hot chip as it is otto von schirach

more trance, more love, more fun, more sex...you can get a hint at what is coming by checking out the two first singles the ballad of tom scraw remixed by the minimal goddess chloe and worst than love with remixes from losoul and gilbert and a juicy cover of iggy pops classic nightclubbing.in the meantime junesex is testing the new album live in france to great public acclaim many tried to sum it up: pop, minimal folk, electro funk, house, rock,acid love, chic sex, bodily fluids only one label fits: junessex!

feat.guest vocals by jarvis cockerand neil hannon.includes opendisc unlocking exclusive audio tracks,extras and more